2026 Bluegrass & Old-Time
Jam Camp
August 4-6, 2026
Attention All Bluegrass and Old-Time Players!
This year we will again feature both bluegrass and old-time music instructional camps in advance of the festival.
This is your chance to take your playing to the next level and learn how to play with others in an ensemble setting!
Join our all star instructor lineup for Bluegrass & Old-Time Instructional Camp (also known as Jam Camp). Bring your bass, guitar, mandolin, banjo, or fiddle to this fun, intensive event and get more out of your playing!
This year, bluegrass ambassadors, Special Consensus will be the instructors of Bluegrass Jam Camp!
The Old-Time Jam Camp will be led by The Horsenecks!
Age: 12–99. Students should have facility with their instruments.
Camps Begin: Tuesday, August 4 at 7:00 p.m.
Cost: $130 until June 30 ($160: July 1 – July 31)
Registration Deadline: July 31st
What to Expect: Classes and breakout sessions covering work in instrument groups (all divided into the 5 standard bluegrass/old-time instruments: guitar, banjo, bass, fiddle and mandolin), ensembles, seminars on lead and harmony singing, music theory, song arrangement, jam etiquette, and more.
The camp will close out with all students performing their recitals on the Main Stage at 5pm on Thursday, August 6.
Camping Info: If you want to camp at El Rancho Mañana during the Jam Camp, you need to reserve your site directly with ERM for Tuesday and Wednesday. For rates & information, visit El Rancho Mañana’s website.
Faculty
The Horsenecks

The Horsenecks are Gabrielle Macrae and Barry Southern. Based in Astoria, Oregon, they are two multi-instrumentalists who have come together from traditional music backgrounds and found a sound that weaves through layers of influence that include early Appalachian fiddle and banjo music, classic country, early bluegrass and original folk.
Gabrielle's fiddle style is the result of being raised in the Old Time music hotbed of Portland, OR and being exposed to the fiddle traditions of the Southeast US through years of traveling to festivals and learning from some of the greatest players in the genre. She gained notoriety as a clawhammer banjo player after releasing the album "Old Sledge" with The Macrae Sisters in 2009, which became one of the iconic Old Time albums of its generation. Her fiddling takes inspiration from the deep traditions of her adopted home in North Carolina, and her original home in Oregon, studying under master fiddlers Trevor Stuart and Stephen "Sammy" Lind. Gabrielle and Barry met at a festival in 2012 and immediately started making music together. Now deep in the world of songwriting, they bring together their background in traditional music and modern influences across many genres to create a catalog of original songs and fiddle tunes that speak to their place in the evolving story of traditional music. Barry’s banjo and guitar playing range from thrilling and high-octane to moody and captivating, and his versatility shines whether flatpicking, playing clawhammer, or driving three-finger banjo. Barry has been consistently active in his hometown of Liverpool’s music scene for over 20 years, playing lead guitar with cult heroes Tramp Attack and in the UK Old Time and Bluegrass scene, playing with the UK's most popular bluegrass party band, The Loose Moose Stringband, and many other groups. Together, they create a distinctive sound, their fiery fiddle and banjo duets, powerful harmony singing and songwriting front and center, earning them a place among the leading interpreters of Old Time music today. They now live in Astoria, Oregon with their daughter, their garden, and the rain.
Special Consensus

Special Consensus’ sound is grounded in a deep appreciation and understanding of bluegrass music, incorporating both the drive and harmonies of the traditional sound with the more contemporary sounds and repertoire of today.
With the foundation of Greg Cahill’s unique banjo playing style and the vocal prowess of the 2023 and 2025 IBMA Male Vocalist of the Year Greg Blake (guitar), Dan Eubanks (bass) and Brian McCarty (mandolin), these musicians effortlessly support each other and consistently maintain their bluegrass center whether they’re playing a jazz-tinged instrumental or a song from any of their award-winning recordings.
These four talented vocalists and instrumentalists follow their creative desires without straying too far from their roots.