Board of Directors – Code of Conduct Certification

Board Members of the Minnesota Bluegrass & Old-Time Music Association are required each year to certify acceptance of the organization’s Code of Conduct, and make a Conflict of Interest Disclosure.

Please complete the form on this page. When you submit Code of Conduct Certification, you will be directed to the Conflict of Interest Disclosure form. You must complete that form as well.

Thank you

MINNESOTA BLUEGRASS AND OLD-TIME MUSIC ASSOCIATION

Board of Directors’ Code of Conduct
and
Statement of Agreement to Board Responsibilities and Expectations

Approved November 19, 2025

As a Board member, I pledge to do my best for MBOTMA and will:

  • Devote the time needed to fulfill the responsibilities of the position;
  • Prepare for, actively participate in, and regularly attend Board meetings, assigned committee meetings, trainings, and MBOTMA’s annual planning retreat;
  • Be honest, helpful, diligent, and respectful in my dealings with the organization, with other Board members, and with the organization’s management, staff, and members;
  • Respect the rights of others – Board members, staff, and members – to communicate their ideas free from interruption and without intimidation, and strictly comply with the MBOTMA Non-Discrimination Policy. This includes behavior specific to Board meetings, such as refraining from offensive conduct, personal attack, and abusive domination of debate;
  • Maintain confidentiality as needed to protect the organization’s interests and financial viability, acknowledging the rights of members or the public as set forth in the Bylaws and state or federal law; and continue to honor confidentiality after leaving Board service;
  • Disclose any personal or organizational conflict of interest that I may have and refrain from discussing or voting on any issues related to that conflict;
  • Refrain from any self-dealing or any conduct of private business, personal services, or financial arrangements with the organization unless fully disclosed to and approved by the Board;
  • Work for continued and increased effectiveness in the organization’s ability to serve its mission;
  • Be a team player and agree to abide by the majority action of the Board, even if it is not my own personal opinion;
  • Refrain from asking for special privileges as a Board member;
  • Recognize my lack of authority to speak or act on behalf of the organization alone unless explicitly delegated that authority by action of the Board;
  • Refrain from public or online actions or statements, including those that are contrary to the principles expressed in the organization’s nondiscrimination, disability inclusion, sexual harassment and harassment policies, which could negatively affect the reputation of the organization, its fundraising efforts, membership drives, event promotions or sponsorships.
    Work to ensure all elections are open, fair, and encourage the participation of all members;
  • Strive to keep members informed of the organization’s status and plans, and of the Board’s work, as appropriate;
  • Continually seek to learn more about the organization and its operations and about my responsibilities as a Board member by pursuing educational opportunities.

The MBOTMA Board President retains all powers under Robert’s Rules of Order and the MBOTMA Non-Discrimination Policy to enact a proper remedy for violation of paragraph 4, above.

Any Board member who blatantly or repeatedly violates the Board Code of Conduct shall resign from the Board or may be removed in accordance with the Bylaws.

All Board members annually, and a new Board member at or before his/her first Board meeting, will complete the Statement of Agreement to Board Responsibilities and Expectations.

Board Member Information

Responsibilities of Board Members

Please read carefully and thoughtfully; check each item to indicate that you are willing to take on these responsibilities.

Board Members Must Be Able To: *

Duty of care (make informed decisions in good faith; act as a prudent person; use a good process for decision making; be honest; ensure adequate record keeping; be vigilant to the potential impact on MBOTMA of the member’s public or online actions or statements)
Duty of loyalty (always act in the best interest of the organization; disclose and avoid conflicts of interest; engage in no self-dealing; maintain confidentiality)
Duty of attention/diligence (attend meetings; participate in discussions; be prepared; review materials; ask questions; know and adhere to state laws and the organization’s Bylaws and policies; support Board decisions; honor contracts; ensure payment of all tax obligations)

Please read carefully and thoughtfully; check each item to indicate that you are willing to meet the expectation.

Expectations of Board Members *
Please Type Your Name to indicate that you have read and agreed to all of the above.

Camping Pass Pricing

Camping Pass Prices are determined by the day you Arrive at the festival.

Day Parking Pricing & Policies

DAY ATTENDANCE POLICIES

  • Cars, trucks, and vans with people attending the Festival for a single day pay for parking in the Day Parking lot.
  • There is no limit to the number of people who may arrive in a single vehicle (commercial buses or vans excluded).
  • Parking passes are sold by the day. Purchase for the day you intend to go to the festival.
  • You may not use a Parking Pass from any day but the day it was purchased for.
  • Vehicles must be removed by 12:00 midnight, or be subject to tagging and/or towing.
  • Everyone age 13 and over will be required wear a wristband at all times on the Festival grounds for the day you are there. 
  • Each person arriving in a vehicle being left in Day Parking will receive a wristband indicating they are at the Festival for that day.
  • You may leave and come back the same day and not pay an additional parking fee as long as at least one person in the vehicle has a wristband for that day. Everyone in the vehicle will receive a wristband upon re-checking in.
  • If you come back a different day, you will need to pay for an additional day of parking, and all passengers in the vehicle will get wristbands for the new day.
  • Camping is not allowed in the Day Parking area. 
  • Access to the Campgrounds is not allowed without a Camping Pass. 

Reserved Camping Details

Reserved Camping Sites must be purchased with Camping Passes. You may add a reserved site later, and you may add additional guests to your Reserved Site. 

  • The sites can have very specific size requirements. Please provide complete information about your vehicle when you make your reservation.
  • If you had a reserved site last year and select Utility Camping again, you will be assigned the same site that you had last year. 
    • Please note we will make every effort to place you in the site where you were last year but many factors can affect that option such as size of your rig and conditions of the site itself. We are unable to take specific site requests. 
    • If you need to change sites, please contact Sammie: info@minnesotabluegrass.org
  • If you did not have a site last year, you will be placed on the waiting list. If an appropriate site does not become available, you can change to Reserved Tent Camping or Rough Camping, and the difference will be refunded to you in July.
  • Only one Camper/RV will be allowed on each site and all campers/vehicles will be tagged. Untagged campers will be charged.
  • We assign sites based on the information you provide upon registration. If you decide to bring a larger size rig or different type camper than the one registered, your spot may not be available for you to use and your money will then be refunded. 
  • Every site is guaranteed 20 amp service. You can request a site with more amperage but it is not guaranteed. 
  • You will receive your campground assignment  by mail or email in June or July and you must bring the assignment with you to check in at the campground.

Showman & Coole

Through twenty-five years and thousands of shows together in bands such as The Foggy Hogtown Boys and The Lonesome Ace Stringband, John Showman and Chris Coole have developed a deep and instinctual musical bond. Their music lurks in a truly unique space that is somewhere on the outskirts of old-time, bluegrass, and folk. The songs of John Hartford, Hank Williams, Dock Boggs, and The Band share space with the fiddle tunes of Eck Robertson and Ed Haley. The duo’s original songs and tunes take in all these vistas and paint something both personal and timely. 

They have performed across North America and Europe at festivals such as Merlefest, Rockygrass, Winnipeg Folk Festival, Mariposa, Wintergrass, Gooikroots, and The John Hartford Memorial Festival. In 2022, the duo released two albums; “ Afield” a collection of old-time fiddle tunes, and  “Much Further Out than Inevitable – A Tribute to Some Music of John Hartford.” 

“John Showman has made his mark as “one of the very best and most influential fiddle players in Canada” (Steve Pritchard, CIUT 89.5 FM).

“Renowned for his clawhammer banjo picking, Coole now establishes himself as a gripping songwriter.”
(Roddy Campbell, Penguin Eggs Magazine)

Po’ Ramblin’ Boys

In 10 years as a band, The Po’ Ramblin’ Boys have covered a lot of miles. Their love of bluegrass — playing it, sharing it, growing it — has been the fuel for their remarkable journey through every corner of America and into the hearts of fans drawn to their hard-charging, true-blue sound. “We live what we play and sing about,” says bandleader C.J. Lewandowski.

Indeed, the band has weathered their fair share of the highs and lows that bluegrass songs are known for (except for the murders, of course). They’ve been road-weary, longing for home. They’ve felt the heartbreak of band members leaving and embraced the joy of welcoming new ones. They’ve worked hard to see their dreams come true, playing on some of music’s most celebrated stages. And they’ve been nominated for a Grammy for Best Bluegrass Album (2019’s Toil, Tears & Trouble) and for the International Bluegrass Music Association’s Entertainer of the Year award.

Amid all their travels, The Po’ Ramblin’ Boys have seen every nook and cranny of the country, met people from all walks of life, and kept a keen eye toward the truth, which rings out loud and clear in the songs they write. “Wanderers Like Me,” the title track from their most recent album and the band’s first No. 1 song on the Bluegrass Unlimited chart, shoots straight from the heart: “Wanderers like me don’t settle down for no one / don’t mind being lonesome, chasing dreams is all I ever need.”

Lately, they’ve been chasing their dreams in a new configuration, one that expands the band’s age span and geographical roots. Guitarist John Gooding from California and fiddle player Max Silverstein from “the great bluegrass state of Maine,” as the band likes to say during onstage introductions, are the newest additions, both in their 20s. They join Lewandowski on mandolin, Jereme Brown on banjo, and Jasper Lorentzen on bass, relative elders in their 30s.

The Po’ Ramblin’ Boys have always been known for barreling bluegrass forward, and as they move into their second decade as a band, they’re maintaining that momentum, both onstage and in the studio. 

T.H.U.G.

The Two Harbors Ukulele Group, affectionately known as T.H.U.G., was formed by Al Anderson in 2010. It has grown from five members to a performance group of sixteen and features soprano, concert, tenor, baritone and bass ukuleles, backed up by harmonica, melodica, drums and horns. The group plays a wide variety of music from 1920’s classics to ’60’s rock and roll to country music…yes, even some Frank Zappa music. Our group has played throughout Minnesota from Lanesboro to Grand Portage and will play almost 50 performances in 2023. We also host the Silver Creek International Ukulele Carnival in Two Harbors which is attended by over 300 ukulele players from over fifteen states and three provinces.

 

 

The Gated Community

The Gated Community is an Americana band with a nearly twenty year history. Formed in 2006 in Minneapolis’s storied West Bank neighborhood, the band is known for its gripping original songs, beautiful vocal harmonies, and multiple lead singers. Led by South Asian American singer/songwriter Sumanth Gopinath (aka Sonny), the band’s music is eclectic in style, encompassing country, folk, bluegrass, and rock. Born in Chicago and raised in Louisiana, Gopinath relocated to the Twin Cities in 2005, after stints in Texas and Connecticut. Current members have been in the band for a decade or more. Everyone in the band sings lead and plays multiple instruments. The band just released their sixth album, available on Bandcamp and all of the main streaming platforms. It was recently included in the Star-Tribune’s list of top 10 albums from Minnesota in 2025 thus far. 

Double Down Daredevils

The Double Down Daredevils are a 6-piece Bluegrass/Americana band that has been entertaining audiences around the region for 10 years now. 

The Daredevils put on a high-energy show that will have you tapping your feet, and leave you wanting more. They feature amazing harmonies on nearly every song from traditional bluegrass to a large and growing list of originals!

Uncle Muskrat

Uncle Muskrat is a five-piece string band from Minneapolis, MN. Through traditional bluegrass instrumentation and lush vocal harmonies, they put a unique modern spin on the sounds of the old, weird American folk songbook. With influences ranging from Dock Boggs to John Hartford to Billy Strings and beyond, their live performances across the upper midwest take audiences on a journey from the quiet of a mountain hollow through the swirling energy of the cosmic expanse with many familiar stops along the way. 

Praised for their musicianship, respect for tradition, and ability to stretch the boundaries of traditional acoustic music, Uncle Muskrat delivers what your muskrat’s uncle never could!

Last Pick’d String Band

The band met at the Homestead Pickin’ Parlor “Beginners” bluegrass jam in Richfield, MN, directed by Gene Walton. That wasn’t enough, so we kept adding more jams to the calendar! Our breakout show as a band was in February 2018 and we’ve been refining our craft as a group ever since.

Our set list selections start with deep roots in traditional bluegrass, flavored with folk, country, and Americana. Everyone in the band sings, creating great harmonies and tasty sounds that appeal to a wide audience.

PA Management with Aaron Niehus

The PA is the connection between you as a performer and the audience. It is critical that you have a solid understanding of how to make the most effective use of all the technology available to you. This workshop will be in 3 segments. 11 am will be setting up the PA  then at 11:30 learn to work with the single Mic  Everyone is welcome. Draw bands are highly encouraged to come.  At noon Aaron will shift to PA Management

Song Analysis with Tim Stafford & Phil Nusbaum

Three songwriters will each present an original song.  Tim and Phil then will offer thoughts and advice on structure and presentation.  Phil Nusbaum will offer thoughts on what broadcasters are looking for when you seek to get your songs played on the air. You do not have to be a songwriter to attend or benefit from these perspectives. Everyone is welcome!

Stagecraft, The Art of Putting on a Show

With Brent Fuqua and Becky Schlegel These two veteran performers go beyond the setlist to discuss ways you can take your next show to a new level. Entertain your audiences, have more fun and get more bookings!

Stagecraft will be at noon on Saturday in Studio 2.  Q&A is a big part of these Panels so bring your questions!

Booking and Promoting Your Band

With Ellen Stanley, Katryn Conlin and Tom Peschges

This panel promises to be a lively discussion of how to build an audience, and book better gigs!  We will cover topics like, Websites, EPK’s, Booking emails, social media strategies and more.  As with all of our panel discussions, please bring your questions!