Grass Seeds Academy

Winter Bluegrass Weekend 2026

March 6-8, 2026

Grass Seeds and GS2 are MBOTMA-sponsored youth workshops held in conjunction with the Winter Bluegrass Weekend. The groups meet for one session Friday night, two sessions on Saturday and one session Sunday morning. The kids then have the opportunity to show us all what they have learned with a main stage concert on Sunday at 1:00.

The program is designed for youth ages 8-18 and is open to all experience levels. While no bluegrass experience is required, students are expected to have basic knowledge of their instruments—three chords on a fretted instrument, or a few tunes on a fiddle. Students are there to learn about jamming etiquette, ensemble playing, how to play back-up, how to take a lead break, plus singing lead and harmony vocals.

GS2: For more experienced students who are at least 14, there is GS2, which includes advanced instrumental technique, 3 and 4 part vocal harmonies and improvisation. Please see the information below pertaining to selection for GS2.

If you have any further questions, please contact Anthony Ihrig at anthony.ihrig@gmail.com.

Grass Seeds and GS2 are MBOTMA-sponsored youth workshops held in conjunction with the Winter Bluegrass Weekend. The groups meet for one session Friday night, two sessions on Saturday and one session Sunday morning. The kids then have the opportunity to show us all what they have learned with a main stage concert on Sunday at 1:00.

The program is designed for youth ages 8-18 and is open to all experience levels. No bluegrass experience is required, just an instrument and a willingness to learn!

The students learn about jamming etiquette, ensemble playing, how to play back-up, how to take a lead break, plus singing lead and harmony vocals. The kids have a lot of fun, but they work hard too.

Grass Seeds is NOT just for beginners or little kids – or just the really talented kids. Students who can play a few common chords or fiddle a few tunes will fit in at Grass Seeds. 

GS2: For more experienced students who are at least 14, there is GS2, which includes advanced instrumental technique, 3 and 4 part vocal harmonies and improvisation. Please see the information below pertaining to selection for GS2.

If you have any further questions, please contact Anthony Ihrig at anthony.ihrig@gmail.com.

What is GS2?

GS2 is the advanced track for Grass Seeds Academy!

Sure, Grass Seeds is a great point of entry for young pickers to learn songs and play in a group, but G2 takes Grass Seeds to the next level! Students with more experience on their instruments, or who have been in Grass Seeds for a few years already are ready for a more advanced experience!

Our goals for GS2 are the same as Grass Seeds and the structure of the weekend is pretty much the same, we just raise the bar by including advanced instrumental technique, three and four part vocal harmonies and improvisation.

GS2 students decide as a group what songs to work on. We encourage them to choose more progressive songs from the contemporary artists they enjoy listening to. Then they get to work creating their own arrangement—not just reproducing it as recorded. They focus in on what it takes to be a member of a performing group. The discussion topics are also determined by the group so we can best meet the specific needs of the kids that year.

The minimum age to participate in GS2 is 14 and space is limited to about 10 students. We recommend at least four to five years of playing with a good working knowledge of common chords and scales. Basic instrumental technique should be solid and familiarity with ensemble playing is expected. Students must be able to learn quickly by ear. Previous participation in Grass Seeds is not required.

Everyone who is interested in GS2 will participate in a jam session first thing Friday night, the instructors will assign the appropriate group at that time. All students assigned to G2 will be expected to perform in the concert on Sunday.

G2 meets on the same schedule as Grass Seeds, and there is not separate registration for G2. You’ll simply register your student for Grass Seeds.

Instruments/Vocals Options

In order to keep all participants learning and engaged, every student must be able to play the three basic bluegrass chords, or a few tunes on a fiddle. There is no time to teach beginning technique to students without this basic knowledge.

The bluegrass instruments that we include in the Academy are:

  • Guitar
  • Banjo
  • Fiddle/Viola/Violin
  • Mandolin
  • Dobro
  • Bass 
  • Vocals

Indicate your student’s instrument when signing them up.

If your student does not play one of these instruments, do not sign them up without consulting with Anthony Ihrig.

Tentative Schedule

Friday:  7 –  9 p.m.
Saturday:  10 a.m. – 12 noon, and 1 – 4 p.m.
Sunday:  10 a.m. – 12:30 p.m. and concert at 1 p.m.

Registration 

Be sure to register early, as space is limited. Fiddle tends to fill the quickest.

Grass Seeds registration includes student admission to all festival concerts and activities.

Scholarships

The Minnesota Bluegrass & Old-Time Music Association is quite honored to have a dedicated fund to support scholarships for Grass Seeds Academy. The Tom O’Neill Endowment fund was established to ensure that MBOTMA’s educational programs are well-supported. Do not hesitate to request a scholarship, or to refer others to it! Bluegrass is for all!

Please complete THIS FORM to request a scholarship. We will contact you as soon as we can to confirm the scholarship, and get you registered!

FACULTY

The High 48s

This year, longtime Grass Seeds favorites The High 48s (thehigh48s.com) will return as instructors. In addition to being one of the busiest bluegrass bands in the upper Midwest, the High 48s are also in demand as instructors, both in person and – more recently – online. They’ve also been a huge success as faculty at MBOTMA’s summer jam camp over the years. The High 48s are Clint Birtzer on guitar, Rich Casey on bass, Eric Christopher (ericonfiddle.com) on fiddle/violin/viola, David Robinson (davidrobinsonmusician.com) on mandolin and Anthony Ihrig (anthonyihrig.com) on banjo.

Chris Silver

Chris Silver (chrissilverband.com) will teach GS2. If there are strings on it, Chris plays it — and plays it well. Before forming the Chris Silver Band, he was a member of Stoney Lonesome and is also well known for his songwriting. Chris has firm roots in bluegrass, but his playing draws on influences well beyond the genre, making him perfect instructor for GS2.

Support Grass Seeds

Grass Seeds is a unique opportunity to develop young musicians as there are few programs like this one. Our goal is to keep the registration fee as low as possible and the quality of instruction as high as possible. Tuition alone does not cover the cost of the program.

Please consider making a tax-deductible donation to Minnesota Bluegrass to support Grass Seeds. You can do that online at the Donate page of Minnesota Bluegrass or by sending a check to Minnesota Bluegrass at PO Box 16408 Minneapolis MN 55416 and specify your donation is for Grass Seeds. 

Showman & Coole

Through twenty-five years and thousands of shows together in bands such as The Foggy Hogtown Boys and The Lonesome Ace Stringband, John Showman and Chris Coole have developed a deep and instinctual musical bond. Their music lurks in a truly unique space that is somewhere on the outskirts of old-time, bluegrass, and folk. The songs of John Hartford, Hank Williams, Dock Boggs, and The Band share space with the fiddle tunes of Eck Robertson and Ed Haley. The duo’s original songs and tunes take in all these vistas and paint something both personal and timely. 

They have performed across North America and Europe at festivals such as Merlefest, Rockygrass, Winnipeg Folk Festival, Mariposa, Wintergrass, Gooikroots, and The John Hartford Memorial Festival. In 2022, the duo released two albums; “ Afield” a collection of old-time fiddle tunes, and  “Much Further Out than Inevitable – A Tribute to Some Music of John Hartford.” 

“John Showman has made his mark as “one of the very best and most influential fiddle players in Canada” (Steve Pritchard, CIUT 89.5 FM).

“Renowned for his clawhammer banjo picking, Coole now establishes himself as a gripping songwriter.”
(Roddy Campbell, Penguin Eggs Magazine)

Po’ Ramblin’ Boys

In 10 years as a band, The Po’ Ramblin’ Boys have covered a lot of miles. Their love of bluegrass — playing it, sharing it, growing it — has been the fuel for their remarkable journey through every corner of America and into the hearts of fans drawn to their hard-charging, true-blue sound. “We live what we play and sing about,” says bandleader C.J. Lewandowski.

Indeed, the band has weathered their fair share of the highs and lows that bluegrass songs are known for (except for the murders, of course). They’ve been road-weary, longing for home. They’ve felt the heartbreak of band members leaving and embraced the joy of welcoming new ones. They’ve worked hard to see their dreams come true, playing on some of music’s most celebrated stages. And they’ve been nominated for a Grammy for Best Bluegrass Album (2019’s Toil, Tears & Trouble) and for the International Bluegrass Music Association’s Entertainer of the Year award.

Amid all their travels, The Po’ Ramblin’ Boys have seen every nook and cranny of the country, met people from all walks of life, and kept a keen eye toward the truth, which rings out loud and clear in the songs they write. “Wanderers Like Me,” the title track from their most recent album and the band’s first No. 1 song on the Bluegrass Unlimited chart, shoots straight from the heart: “Wanderers like me don’t settle down for no one / don’t mind being lonesome, chasing dreams is all I ever need.”

Lately, they’ve been chasing their dreams in a new configuration, one that expands the band’s age span and geographical roots. Guitarist John Gooding from California and fiddle player Max Silverstein from “the great bluegrass state of Maine,” as the band likes to say during onstage introductions, are the newest additions, both in their 20s. They join Lewandowski on mandolin, Jereme Brown on banjo, and Jasper Lorentzen on bass, relative elders in their 30s.

The Po’ Ramblin’ Boys have always been known for barreling bluegrass forward, and as they move into their second decade as a band, they’re maintaining that momentum, both onstage and in the studio. 

T.H.U.G.

The Two Harbors Ukulele Group, affectionately known as T.H.U.G., was formed by Al Anderson in 2010. It has grown from five members to a performance group of sixteen and features soprano, concert, tenor, baritone and bass ukuleles, backed up by harmonica, melodica, drums and horns. The group plays a wide variety of music from 1920’s classics to ’60’s rock and roll to country music…yes, even some Frank Zappa music. Our group has played throughout Minnesota from Lanesboro to Grand Portage and will play almost 50 performances in 2023. We also host the Silver Creek International Ukulele Carnival in Two Harbors which is attended by over 300 ukulele players from over fifteen states and three provinces.

 

 

The Gated Community

The Gated Community is an Americana band with a nearly twenty year history. Formed in 2006 in Minneapolis’s storied West Bank neighborhood, the band is known for its gripping original songs, beautiful vocal harmonies, and multiple lead singers. Led by South Asian American singer/songwriter Sumanth Gopinath (aka Sonny), the band’s music is eclectic in style, encompassing country, folk, bluegrass, and rock. Born in Chicago and raised in Louisiana, Gopinath relocated to the Twin Cities in 2005, after stints in Texas and Connecticut. Current members have been in the band for a decade or more. Everyone in the band sings lead and plays multiple instruments. The band just released their sixth album, available on Bandcamp and all of the main streaming platforms. It was recently included in the Star-Tribune’s list of top 10 albums from Minnesota in 2025 thus far. 

Double Down Daredevils

The Double Down Daredevils are a 6-piece Bluegrass/Americana band that has been entertaining audiences around the region for 10 years now. 

The Daredevils put on a high-energy show that will have you tapping your feet, and leave you wanting more. They feature amazing harmonies on nearly every song from traditional bluegrass to a large and growing list of originals!

Uncle Muskrat

Uncle Muskrat is a five-piece string band from Minneapolis, MN. Through traditional bluegrass instrumentation and lush vocal harmonies, they put a unique modern spin on the sounds of the old, weird American folk songbook. With influences ranging from Dock Boggs to John Hartford to Billy Strings and beyond, their live performances across the upper midwest take audiences on a journey from the quiet of a mountain hollow through the swirling energy of the cosmic expanse with many familiar stops along the way. 

Praised for their musicianship, respect for tradition, and ability to stretch the boundaries of traditional acoustic music, Uncle Muskrat delivers what your muskrat’s uncle never could!

Last Pick’d String Band

The band met at the Homestead Pickin’ Parlor “Beginners” bluegrass jam in Richfield, MN, directed by Gene Walton. That wasn’t enough, so we kept adding more jams to the calendar! Our breakout show as a band was in February 2018 and we’ve been refining our craft as a group ever since.

Our set list selections start with deep roots in traditional bluegrass, flavored with folk, country, and Americana. Everyone in the band sings, creating great harmonies and tasty sounds that appeal to a wide audience.

PA Management with Aaron Niehus

The PA is the connection between you as a performer and the audience. It is critical that you have a solid understanding of how to make the most effective use of all the technology available to you. This workshop will be in 3 segments. 11 am will be setting up the PA  then at 11:30 learn to work with the single Mic  Everyone is welcome. Draw bands are highly encouraged to come.  At noon Aaron will shift to PA Management

Song Analysis with Tim Stafford & Phil Nusbaum

Three songwriters will each present an original song.  Tim and Phil then will offer thoughts and advice on structure and presentation.  Phil Nusbaum will offer thoughts on what broadcasters are looking for when you seek to get your songs played on the air. You do not have to be a songwriter to attend or benefit from these perspectives. Everyone is welcome!

Stagecraft, The Art of Putting on a Show

With Brent Fuqua and Becky Schlegel These two veteran performers go beyond the setlist to discuss ways you can take your next show to a new level. Entertain your audiences, have more fun and get more bookings!

Stagecraft will be at noon on Saturday in Studio 2.  Q&A is a big part of these Panels so bring your questions!

Booking and Promoting Your Band

With Ellen Stanley, Katryn Conlin and Tom Peschges

This panel promises to be a lively discussion of how to build an audience, and book better gigs!  We will cover topics like, Websites, EPK’s, Booking emails, social media strategies and more.  As with all of our panel discussions, please bring your questions!